From NY Times: The nameplate that has come to be the visual synonym of The Times was most recently redrawn in 1967 by the designer Edward Benguiat. The letterforms on which the nameplate is based, known as blackletter or Gothic, can be traced to the late 700s, long before Gutenberg ever put ink to type.
From Adweek: In a world of fake news and alternative facts, The New York Times is asserting the primacy and importance of the truth—and the role independent journalists play in searching for it, and telling it—in a big new brand campaign from Droga5.
Stripped-down TV, print, outdoor, digital and social ads tackle head on the sense of eroding faith in the knowability of the truth, and acknowledge that what’s asserted to be the truth in today’s hostile and oversaturated political media landscape is often just opinion, or even outright lies.
The campaign includes a 30-second spot that will air on the Academy Awards on Feb. 26 (where such ad slots are going for up to $2.5 million). The spot features audio of people debating politics, while on-screen text finishes the sentence “The truth is…” in various ways.
The New York Times has a new brand campaign: "The truth is more important now than ever."
From NY Times: No other living artist is more closely identified with an American theater company than James McMullan. For 30 years, his painterly posters for Lincoln Center Theater have been turned into collectibles that are more than advertising: They’re synonymous with the shows themselves. It’s hard not to think of “Carousel” without recalling his artwork for the 1994 revival that depicts a brooding Billy Bigelow, vividly illuminated from below, atop wooden horses that rear beneath an angry sky.
To commemorate Mr. McMullan’s artistic tenure with Lincoln Center, a permanent exhibition of some of his best-known works was recently installed in the lobby of the Mitzi E. Newhouse Theater. For playwrights, having Mr. McMullan, 82, spend so much time considering and visualizing their created world is like having Picasso paint their child’s portrait.
From Communication Arts: MusicNOW, a series of four new music concerts curated by the Chicago Symphony Orchestra’s Mead Composers-in-Residence Samuel Adams and Elizabeth Ogonek, called for visuals no less compelling in their musicality. Thirst was happy to provide just that by creating unique illustrations for each concert, along with a graphic system for flyers, digital advertisements and on-screen content. A limited-edition poster—with offset lithography by Graphic Arts Studio, foil stamping by Artistry Engraving & Embossing Co., Inc. and generous support by Mohawk Fine Papers—further commemorated each concert illustration.
From Fast Company: How do you design for more than 100 million Americans? It's the challenge of a lifetime for Original Champions of Design's Jennifer Kinon.
From Fast Company
From Marc Cenedella: Before he was famous, before he painted the Mona Lisa and the Last Supper, before he invented the helicopter, before he drew the most famous image of man, before he was all of these things, Leonardo da Vinci was an armorer, a weapons guy, a maker of things that go “boom.”
And, like you, he had to put together a resume to get his next gig. So in 1482, at the age of 30, he wrote out a letter and a list of his capabilities and sent it off to Ludovico il Moro, Duke of Milan.